Portfolio of Recent Work
Click on any image to expand into a slideshow.
From left to right, top to bottom:
1. Redwood Time Dye Gathering, introduction to participants in front of the pattern for a fabric model of Fort Bragg’s Redwood Monument, October 2023
2. Redwood Time in Dry Shed #4, concept sketch for exhibition on the former Georgia Pacific Mill Site. Fabric model, naturally hand dyed fabric,stitched by the community, 18’ diameter, 2023 - 2025
3. Redwood Time work session pattern cutting in the community gymnasium, 2024
4. Redwood Time with Mysteries of the Round Ephemera, working installation at Larry Spring Museum, Summer 2025
5. Wild clay beads & timelines for Redwood Time, Larry Spring Museum, Fort Bragg, CA, 2025
6. Redwood Time Soil Chromatography Workshop, Larry Spring Museum, Fort Bragg, CA, Summer 2025
7. Redwood Time Soil Chromatography installation, Larry Spring Museum, Fort Bragg, CA, soil chromas, Larry’s table, workshop ephemera, Fall 2025
8. Redwood Time Soil Chromatography installation, detail, Larry Spring Museum, Fort Bragg, CA, Fall 2025
9. The Printmakers Left table at Tropic Bound Art Book Fair, Miami, Florida, February 2025, including my individual publications and publications in collaboration with TPL, 2009 - present
10-12. Remineralization, Artists Book, 2019-22, Case-bound, screenprint, linoleum block prints, inks, clays, pigments, archival inkjet, and typewritten text on various papers including handmade cannabis paper, 7 x 4.625 inches, 96 pages - many foldouts, Edition of 9.
13. The Rhinoceros Project, installation shot at Dream Farm Commons, Oakland, CA, with the head of the rhinoceros embroidery in the foreground and the reading room and ephemera collection in the background. 2024.
14. The Rhinoceros Project, sewing circle around the 1524 map of Tenochtitlan at Magnolia Editions, Oakland, CA, 2022.
15. Catalog of Radically Useless and Usefully Radical, installation view of the Fugitive Botany Laboratory a collaboration with Berenika Boberska and The Printmakers Left, Cressman Center for Visual Arts, Louisville, KY, 2021
16. Installation view of the Fugitive Botany Laboratory - a collaboration with Berenika Boberska and The Printmakers Left, Les Yeux du Monde Gallery, Charlottesville, VA, 2021
17. Becoming the mountain, 2024, Plant and mineral dye and pigment, and graphite, on muslin, 7 x 8”
18. In the mouth of the dragon, 2023, Plant and mineral dye on pleated muslin, 15 x 11.5
19. Balance, 2022, plant and mushroom dye & embroidery on muslin, 12 x 9.5”
20. Leaning back toward sunrise, 2023, plant and mineral dye and pigment on muslin, 17 x 18”
From left to right, top to bottom:
1. Redwood Time Dye Gathering, introduction to participants in front of the pattern for a fabric model of Fort Bragg’s Redwood Monument, October 2023
2. Redwood Time in Dry Shed #4, concept sketch for exhibition on the former Georgia Pacific Mill Site. Fabric model, naturally hand dyed fabric,stitched by the community, 18’ diameter, 2023 - 2025
3. Redwood Time work session pattern cutting in the community gymnasium, 2024
4. Redwood Time with Mysteries of the Round Ephemera, working installation at Larry Spring Museum, Summer 2025
5. Wild clay beads & timelines for Redwood Time, Larry Spring Museum, Fort Bragg, CA, 2025
6. Redwood Time Soil Chromatography Workshop, Larry Spring Museum, Fort Bragg, CA, Summer 2025
7. Redwood Time Soil Chromatography installation, Larry Spring Museum, Fort Bragg, CA, soil chromas, Larry’s table, workshop ephemera, Fall 2025
8. Redwood Time Soil Chromatography installation, detail, Larry Spring Museum, Fort Bragg, CA, Fall 2025
9. The Printmakers Left table at Tropic Bound Art Book Fair, Miami, Florida, February 2025, including my individual publications and publications in collaboration with TPL, 2009 - present
10-12. Remineralization, Artists Book, 2019-22, Case-bound, screenprint, linoleum block prints, inks, clays, pigments, archival inkjet, and typewritten text on various papers including handmade cannabis paper, 7 x 4.625 inches, 96 pages - many foldouts, Edition of 9.
13. The Rhinoceros Project, installation shot at Dream Farm Commons, Oakland, CA, with the head of the rhinoceros embroidery in the foreground and the reading room and ephemera collection in the background. 2024.
14. The Rhinoceros Project, sewing circle around the 1524 map of Tenochtitlan at Magnolia Editions, Oakland, CA, 2022.
15. Catalog of Radically Useless and Usefully Radical, installation view of the Fugitive Botany Laboratory a collaboration with Berenika Boberska and The Printmakers Left, Cressman Center for Visual Arts, Louisville, KY, 2021
16. Installation view of the Fugitive Botany Laboratory - a collaboration with Berenika Boberska and The Printmakers Left, Les Yeux du Monde Gallery, Charlottesville, VA, 2021
17. Becoming the mountain, 2024, Plant and mineral dye and pigment, and graphite, on muslin, 7 x 8”
18. In the mouth of the dragon, 2023, Plant and mineral dye on pleated muslin, 15 x 11.5
19. Balance, 2022, plant and mushroom dye & embroidery on muslin, 12 x 9.5”
20. Leaning back toward sunrise, 2023, plant and mineral dye and pigment on muslin, 17 x 18”